The present age, if we consider chiefly the state of our own country, may be styled, with great propriety, The Age of Authors; for, perhaps, there never was a time in which men of all degrees of ability, of every kind of education, of every profession and employment, were posting with ardour so general to the press. The province of writing was formerly left to those, who by study, or appearance of study, were supposed to have gained knowledge unattainable by the busy part of mankind; but in these enlightened days, every man is qualified to instruct every other man: and he that beats the anvil, or guides the plough, not content with supplying corporal necessities, amuses himself in the hours of leisure with providing intellectual pleasures for his countrymen.
It may be observed, that of this, as of other evils, complaints have been made by every generation: but though it may, perhaps, be true, that at all times more have been willing than have been able to write, yet there is no reason for believing, that the dogmatical legions of the present race were ever equalled in number by any former period: for so widely is spread the itch of literary praise, that almost every man is an author, either in act or in purpose: has either bestowed his favours on the publick, or withholds them, that they may be more seasonably offered, or made more worthy of acceptance.
To what cause this universal eagerness of writing can be properly ascribed, I have not yet been able to discover. It is said, that every art is propagated in proportion to the rewards conferred upon it; a position from which a stranger would naturally infer, that literature was now blessed with patronage far transcending the candour or munificence of the Augustan age, that the road to greatness was open to none but authors, and that by writing alone riches and honour were to be obtained.
But since it is true, that writers, like other competitors, are very little disposed to favour one another, it is not to be expected, that at a time when every man writes, any man will patronize; and, accordingly, there is not one that I can recollect at present, who professes the least regard for the votaries of science, invites the addresses of learned men, or seems to hope for reputation from any pen but his own.
The cause, therefore, of this epidemical conspiracy for the destruction of paper, must remain a secret: nor can I discover, whether we owe it to the influences of the constellations, or the intemperature of seasons: whether the long continuance of the wind at any single point, or intoxicating vapours exhaled from the earth, have turned our nobles and our peasants, our soldiers and traders, our men and women, all into wits, philosophers, and writers.
It is, indeed, of more importance to search out the cure than the cause of this intellectual malady; and he would deserve well of this country, who, instead of amusing himself with conjectural speculations, should find means of persuading the peer to inspect his steward's accounts, or repair the rural mansion of his ancestors; who could replace the tradesman behind his counter, and send back the farmer to the mattock and the flail.
General irregularities are known in time to remedy themselves. By the constitution of ancient Egypt, the priesthood was continually increasing, till at length there was no people beside themselves; the establishment was then dissolved, and the number of priests was reduced and limited. Thus among us, writers will, perhaps, be multiplied, till no readers will be found, and then the ambition of writing must necessarily cease.
But as it will be long before the cure is thus gradually effected, and the evil should be stopped, if it be possible, before it rises to so great a height, I could wish that both sexes would fix their thoughts upon some salutary considerations, which might repress their ardour for that reputation, which not one of many thousands is fated to obtain.
Let it be deeply impressed, and frequently recollected, that he who has not obtained the proper qualifications of an author, can have no excuse for the arrogance of writing, but the power of imparting to mankind something necessary to be known. A man uneducated or unlettered may sometimes start a useful thought, or make a lucky discovery, or obtain by chance some secret of nature, or some intelligence of facts, of which the most enlightened mind may be ignorant, and which it is better to reveal, though by a rude and unskilful communication, than to lose for ever by suppressing it.
But few will be justified by this plea; for of the innumerable books and pamphlets that have overflowed the nation, scarce one has made any addition to real knowledge, or contained more than a transposition of common sentiments, and a repetition of common phrases.
It will be naturally inquired, when the man who feels an inclination to write, may venture to suppose himself properly qualified; and, since every man is inclined to think well of his own intellect, by what test he may try his abilities, without hazarding the contempt or resentment of the publick.
The first qualification of a writer is a perfect knowledge of the subject which he undertakes to treat; since we cannot teach what we do not know, nor can properly undertake to instruct others while we are ourselves in want of instruction. The next requisite is, that he be master of the language in which he delivers his sentiments: if he treats of science and demonstration, that he has attained a style clear, pure, nervous, and expressive; if his topicks be probable and persuasory, that he be able to recommend them by the superaddition of elegance and imagery, to display the colours of varied diction, and pour forth the musick of modulated periods.
If it be again inquired, upon what principles any man shall conclude that he wants those powers, it may be readily answered, that no end is attained but by the proper means; he only can rationally presume that he understands a subject, who has read and compared the writers that have hitherto discussed it, familiarized their arguments to himself by long meditation, consulted the foundations of different systems, and separated truth from errour by a rigorous examination.
In like manner, he only has a right to suppose that he can express his thoughts, whatever they are, with perspicuity or elegance, who has carefully perused the best authors, accurately noted their diversities of style, diligently selected the best modes of diction, and familiarized them by long habits of attentive practice.
No man is a rhetorician or philosopher by chance. He who knows that he undertakes to write on questions which he has never studied, may without hesitation determine, that he is about to waste his own time and that of his reader, and expose himself to the derision of those whom he aspires to instruct: he that without forming his style by the study of the best models hastens to obtrude his compositions on the publick, may be certain, that whatever hope or flattery may suggest, he shall shock the learned ear with barbarisms, and contribute, wherever his work shall be received, to the depravation of taste and the corruption of language.
Samuel Johnson,
Adventurer, December 25, 1753
There's an essay in the current issue of the New York Review by the guy who was my art history teacher in college, Sanford Schwartz, about poet and art critic Peter Schjeldahl. Well, Schjeldahl was an inspiration to me ages ago when as a sprout in Tennessee I imagined that poetry and the visual arts were connected; I left for New York City at the age of 17 only to discover that this hadn't been true for years. Schjeldahl is one of my heroes - and a kind of missing link. Here are a few things he's written or said that I wish someone had formulated from within our little poetry world:
